M HKA presents: Homelands and Hinterlands

A group exhibition at M HKA for the Kyiv Biennial 2025
20 September 2025 – 11 January 2026

Davyd Chychkan. Lesya Ukrainka and the Ribbons of Her Struggle, 2022.

Featuring Basel Abbas & Ruanne Abou-Rahme, Davyd Chychkan, Giorgi Gago Gagoshidze, Mona Hatoum, Iman Issa, Mashid Mohadjerin, Ala Savashevich, Anna Zvyagintseva

Kyiv Biennial 2025 situates itself amidst the lived reality of war crimes, illegal occupations, ethnic cleansing, genocide, and the broader autocratic turn in global politics, including Russia's invasion of Ukraine and Israel’s brutal operation in Gaza. In reckoning with the injustices and atrocities being committed today, Kyiv Biennial 2025 reflects on failed solidarities and internationalisms. It does this across a zone described as Middle-East-Europe, a term that encompasses Central Eastern Europe, the former Soviet East and the Middle East.

The exhibition title, Homelands and Hinterlands, refers to the notion of ‘hinterland’, meaning the ‘lands behind’. Here, it applies to the areas surrounding former European colonies that are claimed by powerful countries. This conception involves recognising the economic, geographic, cultural and political significance of hinterlands in relation to the colonial centres that they resource. More specifically, the presentation at M HKA focuses on the notion of ‘erasure’, past and present: the erasure of people through dehumanisation, killing and crimes against humanity – the erasure of memory and of everyday life – the desire to erase the long shadow of 20th century ideologies – the erasure of images – the erasure of political plurality – or even the erasure of the technologies we depend on.

For several of the participating artists, the violence of war and oppression remains a defining context. By questioning the colonial relationship between fading European powers and their so-called peripheries outside the EU, Kyiv Biennial 2025 asserts that the fate of Western Europe is now being forged in its parallel relations with its eastern borderlands. The exhibition seeks to interconnect these ‘peripheries’ of Europe and reopen the experiences of Middle-East-Europe grounded in political complexities and historical entanglements. The artworks suggest the possibility that facing such destruction might also motivate us to find an emancipatory way out of the current conjuncture of obliteration.

Exhibition view: Basel Abbas & Ruanne Abou-Rahme. Oh Shining Star Testify, 2016-2019. Photo: Christine Clinckx for M HKA
Exhibition view: Mona Hatoum. Recollection, 1995. Photo: Christine Clinckx for M HKA
Exhibition view: Anna Zvyagintseva. Order of Things, 2015-ongoing. Photo: Christine Clinckx for M HKA

The exhibition is curated by Vasyl Cherepanyn, Visual Culture Research Center / Kyiv Biennial and Nav Haq, Associate Director, M HKA

Kyiv Biennial 2025 is being held at multiple locations across Europe. M HKA presents an exhibition in parallel to the exhibition held at the newly opened Museum of Modern Art in Warsaw (MSN). These iterations will be followed by two projects at the Dnipro Center for Contemporary Culture and the Dovzhenko Centre in Kyiv, with the last of the exhibitions taking place at the Lentos Kunstmuseum Linz.

M HKA’s participation in Kyiv Biennial 2025 also includes the project Networks and Infrastructures, organised by the Warsaw-based online journal MOST, which comprises an INBOX presentation on the 5th floor and a seminar on 24-26 October. Networks and Infrastructures has been made possible in partnership with the Adam Mickiewicz Institute, De Cinema and De Studio.

2025.kyivbiennial.org


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About M HKA – Museum of Contemporary Art Antwerp

The Museum of Contemporary Art Antwerp (M HKA) is a leading institution for contemporary art and visual culture. The museum has its roots in Antwerp's avant-garde tradition and has developed strong international engagements.

Each season, M HKA offers an exciting mix of large-scale exhibitions and intimate presentations, showcasing both established artists, and emerging talent. M HKA's collection includes national and international contemporary art from the 1960s avant-garde until now, with key works by top artists such as Gordon-Matta Clark, Panamarenko and Otobong Nkanga, as well as leading ensembles from various corners of the world, with a strong focus on Eurasia.

Discover the programme at muhka.be

M HKA is a cultural heritage institution of the Flemish Community.

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